← All of Us Rock
For campus programming boards

You buy out the house.
Your students walk in free.

A flat fee, no ticketing, no box office, no cash handling. You're purchasing admission for your entire student body, which is why there's a fee at all — it's a buyout, not a rental.

What you're buying is ninety minutes of arena rock played by a full working band, with one difference: there's no set order. The room ranks the songs from their phones, live, and the band plays what wins. Music direction by Lance Horne — Emmy winner, Juilliard, music director for Alan Cumming and Rufus Wainwright.

We played the Lincoln Theatre in Raleigh in December 2025. Eighty seconds of it is on the front page.

Ranked-choice results updating live on the screen
Rankings redistribute live as the room watches.
The numbers you're judged on

In your units, not ours.

Cost per attendee

We'd rather not open with a price we made up. Tell us what your board typically spends on a fall entertainment event and where your cost-per-attendee usually lands, and we'll tell you honestly whether we can beat it on a routed date. If we can't, we'll say so and you've lost fifteen minutes.

An engagement number most events can't produce

At our December show 95% of the room pulled out a phone and took part in the live ballot. Not a survey afterward — a measured behaviour during the event. Every round is logged, so what you get back for your end-of-year report is a real number rather than a door count and a guess.

Headcount

It's a general-admission rock show built to fill a ballroom or a theatre. The draw is music, not a cause and not a department, which means it reaches students who don't otherwise come to programming — new faces, not the same two hundred.

What you get back afterward

  • Headcount at the door
  • What share of the room took part in the ballot
  • Round-by-round results from your room
  • Anything else your assessment office needs, if we can measure it
Where the price comes from

We're booking the Triangle as a route, not a one-off.

A full band and a production rig travel badly to one campus and beautifully across four.

NC State, UNC, Duke, NCCU, Meredith, Shaw and Wake Tech all sit inside twenty-five miles of each other. Several schools taking consecutive dates in the same week split what would otherwise be a single-campus production cost, and every school's number drops.

You don't have to coordinate any of that. We do. You book your date.

What's included

  • The full band, music direction and host
  • The live ballot system — a web page, no app, no account
  • Our own production supervision on the day
  • A marketing kit eight weeks out: a 60-second cut you can post as-is, Instagram tiles and a story frame, a poster with your board's logo locked in, a paste-ready newsletter paragraph and a sample email
  • A post-event report

What we need from campus

  • A room, a date, house sound and lights
  • A screen or projection the back row can read
  • Your board's channels, worked the way you'd work your own event
  • One named contact, and your advisor on anything needing a signature
The question your board asks first

It's a rock show, and it stays one.

The show is deliberately non-partisan, and that's a design constraint rather than a disclaimer: it stops working the moment a room splits into teams.

No candidate is endorsed. No party is named. Nobody is asked to register for anything or sign anything, and there is no table in the lobby.

We'll send your board and your advisor the complete script before you commit to anything. We'd rather you read it than take our word for it. There is one turn in the second half we don't publish on a website — it's in the script, and we'll walk you through it; we'd just rather your students meet it in the room.

Co-sponsorship

We're glad to be co-sponsored, and we'll build the materials so every co-sponsor's logo is on them. Bringing in campus radio, an international student organization or a Greek chapter widens the room, splits your line item, and gives you a co-sponsorship count for your report.

Before you decide: the setlist survey

Months ahead, we send your students a four-minute page where they mark which songs they'd actually sing along to and rank a sample ballot. The ballot at your show is built from what your campus sends back.

It costs you one post, it commits you to nothing, and by the time your board sits down to decide you'll already know what your own students said.

Practical terms

The boring page.

FeeFlat, quoted against your cost-per-attendee target and the route
AdmissionFree to students
Revenue shareNone — we don't sell tickets at your show
Run time90 minutes, no intermission
TechnicalHouse sound and lights, plus a legible screen. Full rider on request
InsuranceCertificate of liability provided, naming the university
ScriptProvided in full, in advance, to your board and your advisor
MaterialsDelivered eight weeks out
DatesLate September 2027, Triangle block
ProducerUARExperiences, Inc. — a North Carolina corporation, incorporated 2020

Fifteen minutes, no proposal.

The first conversation is us asking how your booking cycle runs and what your board spends. We'll send the script unprompted. Nothing to sign, nothing to decide.

ken@allofusrock.com