A flat fee, no ticketing, no box office, no cash handling. You're purchasing admission for your entire student body, which is why there's a fee at all — it's a buyout, not a rental.
What you're buying is ninety minutes of arena rock played by a full working band, with one difference: there's no set order. The room ranks the songs from their phones, live, and the band plays what wins. Music direction by Lance Horne — Emmy winner, Juilliard, music director for Alan Cumming and Rufus Wainwright.
We played the Lincoln Theatre in Raleigh in December 2025. Eighty seconds of it is on the front page.
We'd rather not open with a price we made up. Tell us what your board typically spends on a fall entertainment event and where your cost-per-attendee usually lands, and we'll tell you honestly whether we can beat it on a routed date. If we can't, we'll say so and you've lost fifteen minutes.
At our December show 95% of the room pulled out a phone and took part in the live ballot. Not a survey afterward — a measured behaviour during the event. Every round is logged, so what you get back for your end-of-year report is a real number rather than a door count and a guess.
It's a general-admission rock show built to fill a ballroom or a theatre. The draw is music, not a cause and not a department, which means it reaches students who don't otherwise come to programming — new faces, not the same two hundred.
A full band and a production rig travel badly to one campus and beautifully across four.
NC State, UNC, Duke, NCCU, Meredith, Shaw and Wake Tech all sit inside twenty-five miles of each other. Several schools taking consecutive dates in the same week split what would otherwise be a single-campus production cost, and every school's number drops.
You don't have to coordinate any of that. We do. You book your date.
The show is deliberately non-partisan, and that's a design constraint rather than a disclaimer: it stops working the moment a room splits into teams.
No candidate is endorsed. No party is named. Nobody is asked to register for anything or sign anything, and there is no table in the lobby.
We'll send your board and your advisor the complete script before you commit to anything. We'd rather you read it than take our word for it. There is one turn in the second half we don't publish on a website — it's in the script, and we'll walk you through it; we'd just rather your students meet it in the room.
We're glad to be co-sponsored, and we'll build the materials so every co-sponsor's logo is on them. Bringing in campus radio, an international student organization or a Greek chapter widens the room, splits your line item, and gives you a co-sponsorship count for your report.
Months ahead, we send your students a four-minute page where they mark which songs they'd actually sing along to and rank a sample ballot. The ballot at your show is built from what your campus sends back.
It costs you one post, it commits you to nothing, and by the time your board sits down to decide you'll already know what your own students said.
| Fee | Flat, quoted against your cost-per-attendee target and the route |
| Admission | Free to students |
| Revenue share | None — we don't sell tickets at your show |
| Run time | 90 minutes, no intermission |
| Technical | House sound and lights, plus a legible screen. Full rider on request |
| Insurance | Certificate of liability provided, naming the university |
| Script | Provided in full, in advance, to your board and your advisor |
| Materials | Delivered eight weeks out |
| Dates | Late September 2027, Triangle block |
| Producer | UARExperiences, Inc. — a North Carolina corporation, incorporated 2020 |
The first conversation is us asking how your booking cycle runs and what your board spends. We'll send the script unprompted. Nothing to sign, nothing to decide.
ken@allofusrock.com